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“I saw Julie as an artist struggling to work from beginning to end, which I really admired,” Mr. Glick came to see as the real problem during the tumultuous months of preview performances of the show. Taymor, he said, and bewildered when she was described as unprofessional by the show’s producers, whom Mr. But he was let go when the characters were dropped after the director Julie Taymor was fired from the production. His most surreal theater experience was as part of the original cast of the musical “Spider-Man: Turn Off the Dark,” playing one of the four Geek Chorus narrators. “It just has happened that I’ve played several gay characters, but you never want to make anyone a gay type.” “You’re playing the story, the script, the relationships,” Mr.
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Glick said he didn’t believe in “playing gay, creating a particularly gay emotional life for a character.” While Matthew’s sexuality is important and influences the course of his life, Mr. Z.) in their 30s who created a newspaper for truckers with Matthew’s uncle. Hunter (“The Whale”), centers on the interwoven relationships among Matthew and two lost souls (Bryan and Q. In “The Few,” Matthew is gay but has been emotionally shattered by the cruel homophobia of his stepfather.
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(His first professional production was “The Three Musketeers,” when he was 11.) Glick also took courage from knowing that plenty of gay actors appeared in plays and musicals. That sense of security helped him come out as gay at the age of 12 Mr. Glick said he had always felt that his parents, both academics, and other adults supported him in being himself. More Information on ‘The Few” at TheatreGold DataBase HereĪll associated graphics, logos, trader marks, trade names or copyrights are the property of the original owner and are used here for factual and educational purposes only.Growing up outside Philadelphia, Mr.
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He holds degrees in playwriting from NYU, the Iowa Playwrights Workshop, and Juilliard. At Ashtar, he co-wrote The Era of Whales which was performed in Ramallah and Istanbul. Internationally, his work has been translated into Spanish and presented in Mexico City and Monterrey, and he has worked in the West Bank with Ashtar Theatre of Ramallah and Ayyam al-Masrah of Hebron. He is an ensemble playwright at Victory Gardens, a core member of the Playwrights Center, a company member of Partial Comfort Productions, and an alum of Ars Nova’s Playgroup. He is the recipient of the 2008-2009 PONY Fellowship, the 2011 Sky Cooper Prize, two Lincoln Center Le Compte du Nuoy Awards, and will be a resident playwright at Arena Stage in 2013. His plays have been developed at the O’Neill Playwrights Conference, Seven Devils Playwrights Conference, Bay Area Playwrights Festival, JAW West, Ojai Playwrights Conference, and the Pacific Playwrights Festival. He has active commissions from Seattle Rep, South Coast Rep, Lincoln Center, and Manhattan Theater Club. Hunter’s plays include A Bright New Boise (OBIE Award for Playwriting, Drama Desk Nomination for Best Play original production at Partial Comfort Productions, NYC second production at Woolly Mammoth Theater Company), The Whale (Playwrights Horizons, Victory Gardens, and South Coast Rep original production at the Denver Center), Jack’s Precious Moment ( at 59E59), Five Genocides (Clubbed Thumb), A Permanent Image (Boise Contemporary Theater), and Norway (Boise Contemporary Theater, Phoenix Theater of Indianapolis). Katharine Whitney (Production Stage Manager) Michael Laurence, Gideon Glick, Tasha Lawrence Creativeĭaniel Kluger (Original Composition and Music Design)